RUN! RUN! RUN! Biennale

Description

#r3fest 2018 PREMISE: Set against our precarious situation today (Brexit, closed borders, the anthropocene et al), and with special attention paid to the Parisien mise–en-scène, the RUN! RUN! RUN! Biennale #r3fest 2018 explored Dangerous Movements. What do mobilities and the (end to the?) freedom of movement mean today? What insights can art movements like Situationism and the historical boundary-crossing foot messenger reveal? In what ways could ‘Running Studies’ contribute towards creative steps to re-make the world around us?  Are we as artists, researchers and runners playing too safe? #r3fest 2018 was co-curated by artist Dr Kai Syng Tan (NCCPE 2018 Images Award, ASEAN Para Games Ceremonies 2015) based in King’s College London, with author Dr Vybarr Cregan-Reid (Primate Change 2018, Footnotes 2016), who is a Reader in English & Environmental Humanities in the School of English at the University of Kent. The 2018 programme consisted of readings, performance-lectures, poster display, art exhibition and two new performances. #r3fest 2018 featured 7 artists, writers and researchers, including friends new to #r3fest Dr Elisa Hererra Altamirano and Zejun Yao, as well as friends who’d been with us since 2014 when RUN! RUN! RUN! first began, like Dr Carali McCall, James Steventon, Dr Matti Tainio. Also showcased was Holland’s top writer Abdelkader Benali, whose interview with Kai in 2012 was shared in her new performance-lecture. Vybarr read from his newly-published Primate Change (2018). EXHIBITION, PERFORMANCES, DISCUSSIONS: #r3fest 2018 was an intimate but lively affair, including with a hopscotch dare by featured artist Zejun Yao, evidence of which can be seen in the images and clips above. Featured artist Dr Veronique Chance also successfully carried out a pilot of her performance, during which she ran approximately 8km to and back from the Périphérique in a new work Touching the Périphérique. Questions came thick and fast regarding the specificity of runing – why running? How is it different to other movements and mobilities? To which featured researcher Dr Elisa Herrera Altamirano spoke passionately about running as a political and positive force for good. Dr Vybarr Cregan-Reid gave a run-down of how the contemporary human being is ill-fitted to their environment which was very uplifting — not. We were also introduced to the dangerous movements of #woolsockrunning by Dr Matti Tainio and climbing up a building by Dr Carali McCall, saw a virtual face-off between author-runner Abdelkader Benali versus Jean Baudrillard and last but not least saw some hope in the figure of the boundary-crossing running-messenger epitomised by James Steventon. We were so busy with the discussion in situ that we hadn’t the chance to continue tweeting but are grateful to Dr Andrew Filmer and Dr David Hindley for their support. It was encouraging to hear the term ‘running studies’ being activated throughout the evening, and very heartening to witness how new researchers and artists are taking it on and running with it. Thank you, all, for your wonderful support of the third RUN! RUN! RUN! Biennale #r3fest. We will be writing up some of this in the near future, so please watch this space. The interdisciplinary conversations and small steps towards running studies continue. We are thankful for the generosity and immense kindness of Professor Peter Brown, Director of the Paris School of Arts and Culture which hosted the Biennale, Emily Rae and the evening’s outstanding assistant Sinéad Mccausland, an MA student in film. COMMENTS: ‘Heartfelt thanks to Kai Syng for creating powerful scenarios such as the #r3fest to explore running as a critical and creative tool and for making us feel radical hope’ — featured researcher Dr Elisa Herrera Altamirano ‘Thank you for an amazing event! It was such an inspiring experience to meet so many great artists and researchers, some of whom I’ve been following for some time – and great to discover new people and their work too. I found it really educational and it was well worth the journey to Paris. Meeting like-minded people was really valuable. So many different themes/aspects of running covered in the talk as well – I’ve been approaching running in my own practice with the idea of “pilgrimage” in mind, also considering Long and Fulton’s work – so this gave me a lot of new ideas, especially around the politics of running, the history of running (evolution) and the potential of the runner in society today. I’ve now got a nice long juicy reading list. The resources and the conference are bound to fuel my own practice. So inspiring! Great to talk to you although it was brief.’ — artist Beth Clayton, first year student, University for Creative Arts Farnham ‘It’s really interesting and encouraging to hear the term “running studies” […] But also how running is being activated and seeing how new researchers and artists are taking it on and running with it. Really wonderful to see how your persistence and commitment is powering through’ — featured artist Dr Carali McCall ‘The event was pretty beautiful, thanks so much for curating it, for the invitation, for all the work in the organization and all the love you put on it… it´s evident from the outside that you work so hard and I really thank you for that. It is inspiring and enjoyable to work with people who love what they do. I really want to keep on the interdisciplinary conversation about running studies so count on me definitely for further work-research-grants-events-provocations and so on’. — featured researcher Dr Elisa Herrera Altamirano SINCE 2014: The RUN! RUN! RUN! Biennale #r3fest is a bi-annual interdisciplinary programme exploring running as an arts and humanities discourse. Founded in 2014 by Kai and UCL geographer Professor Alan Latham in 2014, it is characterised by ‘productive antagonisms’ (Latham and Tan 2017) in its activation of running as a methodology and metaphor to disrupt + make new connections across disciplinary and other borders (Tan 2018) , as well as its ‘positive atmosphere’ (Guardian 2014). If the first (attended by 50 artists and researchers from 30 institutions at the Slade Research Centre), then emphatically named the RUN! RUN! RUN! International Festival of Running, was a celebratory survey and test of concept, the second, held in 2016 and co-curated with artists Dr Carali McCall and Annie Grove-White in London, Cardiff and Leeds including in an indoor stadium, was its second, darker album, a sobering insight into borders, gender, ageing, power and the body, set against the backdrop of the sudden, shocking turn of events over Summer 2016. PRODUCTIVE ANTAGONISMS: A key feature of RUN! RUN! RUN! is how it engineers unexpected spaces of creative collisions and ‘productive antagonisms’ (Latham and Tan 2016) between and across disciplines, formats, hierarchies and differences.  For the 2014 run for instance we had lectures (such as by keynote speaker, Chair of cultural geography from the University of Glasgow Professor Hayden Lorimer) ‘intercut’ with 8-minute speaking slots (which we timed with a stopwatch), object-based learning activities (UCL’s paleoanthropology researchers brought samples illustrating anatomical parts for participants to handle) alongside academic posters (such as by a Loughborough University biomechanics PhD researcher) and new artworks (such as by Jo Volley, award-winning painter and Slade School Senior Lecturer); senior academics (including the then UCL Vice-Dean for Research in the Faculty of Social and Historical Sciences Professor Anson Mackay in charge of live tweeting) intermingling with emerging artists (including a 22-year-old theatre undergraduate) and science was set up against spirituality: a meditation session conducted by a representative from the Sri Chimnoy Centre was programmed at the same time with a lecture on injury prevention by UCH clinician Dr Courtney Kipps, who is also the Medical Director of the London Triathlon and London Marathon. RUN! RUN! RUN! asks: * What are the creative and critical possibilities arising from the examination of running as an arts and humanities discourse? * What happens when artists and academics from different disciplines who use running ‘run into’ one another? * In what ways could art (and art using running) open up potential spaces to create ‘productive antagonisms’ across disciplines? What could such an ‘iIl-disciplined’ form of interdisciplinarity teach us? COLLABORATORS: Collaborators over the years have included artists, academics, friends from the third sector, runners and non-runners including: * Stephanie Case (UN Human Rights lawyer, ultramarathon runner and founder of FreetoRun, which empowers women and girls in conflict areas with running), * Eddie Ladd (Cardiff-based international performance artist), * A Mile In Her Shoes (running charity for homeless women), * Hackney Tours (acclaimed alternative walking and running tours of London led by Simon Cole), * Dr Doug Sandle (BA. Phd. CPsychol. AFBPsS, retired psychologist who was still running at the age 74 in 2016), * Dr Lisa Stansbie (artist and Dean of School of Art, Architecture & Design, Leeds Beckett Universitry), * James Steventon (artist, Director of Fermynwoods Contemporary Art and collaborator since 2014), * Dr Andrew Filmer (theatre academic at University of Aberystwyth who has used running in teaching for many years), * Professor Karen Throsby (ultra swimmer of School of Sociology and Social Policy, University of Leeds) and * Sarah Brown, Principal Keeper, Leeds Art Gallery.

Period	8 Nov 2018
Event type	Other
Location	Paris, FranceShow on map
Degree of Recognition	International