Research output per year
Research output per year
- 23 results
Search results
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2024
The Wonder of Film
Wheatley, C., 2024, (Accepted/In press) Cinema and Secularism. Cauchi, M. (ed.). BloomsburyResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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2023
A Zigzag of a Hundred Tacks: Narrative Complexity in The Good Place
Wheatley, C., 30 May 2023, (Accepted/In press) Television with Stanley Cavell in Mind. LaRocca, D. & Laugier, S. (eds.). University of Exeter PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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Coming to Wonder
Wheatley, C., Sept 2023, (Accepted/In press) What is Film Good For?. Hanich, J. & Roussow, M. (eds.). University of California PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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The Unknown Huppert
Wheatley, C., 2023, (Accepted/In press) Performative Opacity in the Work of Isabelle Huppert. Cortez, I. & Fleishman, I. (eds.). Edinburgh: Edinburgh University PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2021
Introduction: Foot Notes
Wheatley, C., Jan 2021, Shoe Reels: The History and Philosophy of Footwear in Film . Ezra, E. & Wheatley, C. (eds.). Edinburgh: Edinburgh University Press, p. 1 17 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Isabelle's espadrilles, or les chaussures d'Huppert
Wheatley, C., Jan 2021, Shoe Reels: The History and Philosophy of Footwear in Film. Ezra, E. & Wheatley, C. (eds.). Edinburgh: Edinburgh University Press, p. 279 292 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Passionate Utterances: Cavell, Film, and the Female Voice
Wheatley, C., 3 Jun 2021, Movies with Stanley Cavell in Mind. Bloomsbury, p. 175-190Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2018
"There's no point in killing a bad priest": John Michael McDonagh's Calvary and the Broken Middle
Wheatley, C., 2018, Immanent Frames: Postsecular Cinema Between Malick and von Trier. State University of New York Press, p. 169-187 19 p. (SUNY series, Horizons of Cinema).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
1 Citation (Scopus) -
2017
The Birth of A Nation: Civil Religion and Ridley Scott's Exodus: Gods and Kings
Wheatley, C. A., 2017, Biblical Reception 4: A New Hollywood Moses: On the Spectacle and Reception of Exodus: Gods and Kings. Tollerton, D. (ed.). Bloomsbury, p. 136-151 15 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2014
Christianity and European Film
Wheatley, C. A., 2014, The Europeannness of European Film: Identity, Meaning, Globalization. Harrod, M., Liz, M. & Timoshkina, A. (eds.). I. B. Tauris, p. 87-100 13 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Deconstructing Christianity in contemporary European cinema: Nanni Moretti's Habemus Papam and Jean-Luc Nancy's Dis-Enclosure
Wheatley, C., Feb 2014, Religion in Contemporary European Cinema: The Postsecular Constellation. Ungureanu, C. & Bradatan, C. (eds.). Taylor and Francis, p. 11-26 16 p. 1Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
2 Citations (Scopus) -
2013
La Famille Denis
Wheatley, C., 2013, The Films of Claire Denis: Intimacy on the Border. Vecchio, M. (ed.). N/A ed. London: I. B. Tauris, Vol. N/A.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Naked women, slaughtered animals: Ulrich Seidl and the limits of the real
Wheatley, C., 11 Jan 2013, The New Extremism in Cinema: From France to Europe. Edinburgh University Press, p. 93-102 10 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
1 Citation (Scopus) -
2012
'Le Cineaste d'Horreur Ordinaire': Michael Haneke and the Horrors of Everyday Existence
Wheatley, C. A., 2012, European Nightmares: Horror Cinema in Europe since 1945. Allmer, P., Brick, E. & Huxley, D. (eds.). p. 207-220 14 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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'Que doit-on regarder? Michael Haneke et l'ethique du spectateur'
Wheatley, C. A., 2012, Fragments du Monde: Retour sur l'oeuvre de Michael Haneke. Carre, V. (ed.). France: Editions Le Bord de l'eau, p. 55-64 10 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2011
Children of Optimism: An Interview with Gotz Spielmann on Revanche and New Austrian Film
Wheatley, C. A., 2011, New Austrian Film. von Dassanowsky, R. & Speck, O. C. (eds.). Berghahn Books, p. 368-376Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Domestic Invasion: Michael Haneke and Home Audiences
Wheatley, C. A., 2011, The Cinema of Michael Haneke: Europe Utopia. McCann, B. & Sorfa, D. (eds.). Wallflower Press, p. 10-23Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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'Not Politics but People': The Feminine Aesthetic in Valeska Grisebach's Sehnsucht'
Wheatley, C. A., 2011, New Austrian Film. von Dassanowsky, R. & Speck, O. C. (eds.). Berghahn Books, p. 136-147Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Ulrich Seidl and the Limits of the Real
Wheatley, C., 2011, The New Extremism:Contemporary European Cinema. Horeck, T. & Kendall, T. (eds.). Edinburgh: Edinburgh University PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
2 Citations (Scopus) -
2010
The Language of Love? How the French Sold Lady Chatterley's Lover (Back) to British Audiences
Wheatley, C., 1 Nov 2010, Je t'aime... moi non plus: Franco-British cinematic relations. Wheatley, C. & Mazdon, L. (eds.). Oxford: Berghahn Books, p. 81-102 22 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
2 Citations (Scopus) -
2007
Der Kantische Imperativ in der filmischen Interpellation
Translated title of the contribution :Film, Interpellation and The Kantian Imperative Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Unseen/Obscene: the (non) framing of the sexual act in Michael Haneke's La Pianiste
Wheatley, C. A., 2007, Framed!: Essays in French Studies. Bolton, L., Kimber, G., Lewis, A. & Seabrook, M. (eds.). Peter Lang, p. 127-143Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2006
The Spectator as Moral Agent: Kantian Ethics and the Films of Michael Haneke
Wheatley, C. A., 2006, From Plato's Cave to the Multiplex: Contemporary Film and Philosophy. Renzi, B. G. & Rainey, S. (eds.). p. 63-73Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review