King's College London

Research portal

Dr Erika Balsom

  1. TEN SKIES

    Balsom, E., 2021, Fireflies Press.

    Research output: Book/ReportBook

  2. The Crowd is Dead, Long Live the Crowd!

    Balsom, E., 2021, In: Cinema Scope. 85

    Research output: Contribution to journalArticle

  3. Why Don't You Smile?

    Balsom, E., 2021, Julie Curtiss. White Cube, p. 6-16

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Edgeless

    Balsom, E., 2020, Beatrice Gibson: Deux Soeurs. Sternberg Press, p. 11-18

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Shoreline Movements

    Balsom, E., 2020, In: E-Flux Journal. 114

    Research output: Contribution to journalArticle

  6. To Narrate or Describe? Experimental Documentary Beyond Docufiction

    Balsom, E., 2020, Deep Mediations: Thinking Space in Cinema and Digital Cultures. University of Minnesota Press, p. 180-196

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  7. In the Company of Images

    Balsom, E., 2019, Cindy Sherman. National Portrait Gallery, p. 60-61

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Introduction

    Lucy Reynolds & Sarah Perks, 2019, Artists' Moving Image in Britain Since 1989. Yale University Press, p. 1-20

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  9. Look at Mother Nature on the Run in the 1970s: Penelope Spheeris's I Don't Know

    Balsom, E., 2019, Women Artists, Feminism, and the Moving Image. Bloomsbury, p. 138-150

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  10. Moving Bodies: Captured Life in the Late Works of Harun Farocki

    Balsom, E., 2019, In: Journal of Visual Culture. p. 357-377

    Research output: Contribution to journalArticlepeer-review

  11. Pay Some Attention to the Man Behind the Curtain

    Balsom, E., 2019, Christian Marclay: Compositions. MACBA, p. 219-222

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Terra Cognita: Babette Mangolte’s The Sky on Location

    Balsom, E., 2019, America: Films from Elsewhere. Shoestring Press, p. 316-335

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. The Torn First Pages

    Balsom, E., 2019, Amar Kanwar: The Torn First Pages. FRAC Pays de la Loire

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Watching Paint Dry

    Balsom, E., 2019, Unwatchable. Rutgers University Press, p. 194-199

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. “On A Leaf is the Sea is a Theater”

    Balsom, E., 2019, Jonathan Schwartz: To Light, To Love, To Time. Punto de Vista - Festival Internacional de Cine Documental de Navarra, p. 61-67

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Re-entering the Theatergarden Bestiarium

    Balsom, E., 2018, Prototype d'une exposition: Variations sur Jardin-Théâtre Bestiarium. Centre national des arts plastiques, p. 112-119

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. The Ambivalence of Authenticity

    Balsom, E., 2018, Film in the Present Tense: Why Can’t We Stop Talking About Analogue Film?. Archive Books, p. 75-78

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Instant Failure: Polaroid's Polavision, 1977–80

    Balsom, E., Dec 2017, In: Grey Room. 66, p. 6-31

    Research output: Contribution to journalArticlepeer-review

  19. Historical Projections: The Art of Rosa Barba

    Balsom, E., 1 Sep 2017, ARTFORUM.

    Research output: Contribution to specialist publicationArticle

  20. The Reality-Based Community

    Balsom, E., May 2017, In: E-Flux Journal.

    Research output: Contribution to journalArticle

  21. Elle

    Balsom, E., Apr 2017, Sight and Sound, p. 33 1 p.

    Research output: Contribution to specialist publicationBook/Film/Article review

  22. Lights, Camera, Aktion!: ‘Filmaktion: Expanded Cinema and Film Performance’

    Balsom, E., Apr 2017, Artforum.com.

    Research output: Contribution to specialist publicationBook/Film/Article review

  23. Openings: Jean-Paul Kelly

    Balsom, E., Apr 2017, ARTFORUM, p. 194-197 4 p.

    Research output: Contribution to specialist publicationArticle

  24. After Uniqueness: A History of Film and Video Art in Circulation

    Balsom, E., Mar 2017, Columbia University Press. 312 p. (Film and Culture Series)

    Research output: Book/ReportBookpeer-review

  25. Laida Lertxundi’s Emotional Landscapes”

    Balsom, E., Mar 2017, Sight and Sound, p. 61.

    Research output: Contribution to specialist publicationArticle

  26. La La Land

    Balsom, E., Feb 2017, Sight and Sound, p. 78-79.

    Research output: Contribution to specialist publicationBook/Film/Article review

  27. Dreamlands: Cinema and Immersion

    Balsom, E., Jan 2017, ARTFORUM, p. 206-207 2 p.

    Research output: Contribution to specialist publicationBook/Film/Article review

  28. 100 Years of Low Definition

    Balsom, E., 2017, Indefinite Visions.

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  29. Beyond Measure: Sarah Sze's Timekeeper

    Balsom, E., 2017, Sarah Sze.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Enclosures and Escapes

    Balsom, E., 2017, Rachel Rose: Will-o-Wisp. Philadelphia Museum of Art, p. 10-18

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Markopoulos und die Komödie der Verteilung

    Balsom, E., 2017, Kino der Zukunft: Gregory J. Markopoulos. Naef, M. & Klammer, M. (eds.). Basel: eikones, p. 73-83 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Creative Evolution: Philippe Parreno’s Anywhen”

    Balsom, E., Dec 2016, ARTFORUM, p. 250 1 p.

    Research output: Contribution to specialist publicationBook/Film/Article review

  33. Kate Plays Christine

    Balsom, E., Nov 2016, Sight and Sound, p. 62-63 2 p.

    Research output: Contribution to specialist publicationBook/Film/Article review

  34. Freedom of Association: The Cinema of Pere Portabella

    Balsom, E., 1 Sep 2016, ARTFORUM.

    Research output: Contribution to specialist publicationArticle

  35. Chevalier

    Balsom, E., Aug 2016, Sight and Sound, p. 75-76 2 p.

    Research output: Contribution to specialist publicationBook/Film/Article review

  36. Networked Realities

    Balsom, E., Jul 2016, Sight and Sound, p. 50-51 2 p.

    Research output: Contribution to specialist publicationArticle

  37. AV Festival: "Meanwhile, what about socialism?"

    Balsom, E., Apr 2016, Art Monthly, p. 395 1 p.

    Research output: Contribution to specialist publicationBook/Film/Article review

  38. After Mass Culture

    Balsom, E., Apr 2016, Candice Breitz: Love Story. Kunstmuseum Stuttgart, p. 86–91 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. History Repeating: Stan Douglas's The Secret Agent

    Balsom, E., Apr 2016, Sight and Sound, p. 59 1 p.

    Research output: Contribution to specialist publicationBook/Film/Article review

  40. The Documentary Attitude

    Balsom, E., Apr 2016, Documentary Across Disciplines. Balsom, E. & Peleg, H. (eds.). MIT Press, p. 10-19

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Art direction: Erika Balsom on Omer Fast’s Remainder

    Balsom, E., 1 Jan 2016, ARTFORUM, 54, p. 67-68 2 p.

    Research output: Contribution to specialist publicationBook/Film/Article review

  42. Cheiropoeisis: Film and Obsolescence After Indexicality

    Balsom, E., 2016, Extended Temporalities: Transient Visions in the Museum and in Art. Federici, F., Estremo, V. & Bordina, A. (eds.). Milan: Mimesis Edizione, p. 87-106 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  43. Distributing Artists’ Film and Video After Digitization

    Balsom, E., 2016, The State of Post-Cinema: Tracing the Moving Image in the Age of Digital Dissemination and Networks. Hedger, V., Hagener, M. & Strohmeier, A. (eds.). Palgrave Macmillan, p. 165-180 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  44. Face to Face: Louidgi Beltrame’s El Brujo”

    Balsom, E., 2016, Louidgi Beltrame. Paris: SAM Art Prize, p. unpaginated

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. On the Grid

    Balsom, E., 2016, Electronic Superhighway: From Experiments in Art and Technology to Art After the Internet. Kholeif, O. (ed.). Whitechapel Gallery, p. 44-51

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. The City Beautiful, the City Filmed

    Balsom, E., 2016, Chandigarh is in India. Shoestring Press, p. 200-231

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. The Ends of Cinema

    Balsom, E., 2016, Cinema Mon Amour: Film in Art. Aarau: Aargauer Kunsthaus, p. 155-158 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. “Irreprodutível: Cinema como Evento,” 

    Balsom, E., 2016, Cinema Apesar da Imagem. Sao Paolo: Editoria Intermeios, p. 35-58 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. “Who Counts/What is Counted”

    Balsom, E., 2016, Aura Satz: Between the Bullet and the Hole. New York: Fridman Gallery, p. 7-10 4 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

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