King's College London

Research portal

Dr Heather Wiebe

  1. Morale as Sonic Force: Listen to Britain and Total War

    Wiebe, H., Feb 2021, In: Sound Studies: An Interdisciplinary Journal. 7, 1, p. 24-41 18 p.

    Research output: Contribution to journalArticlepeer-review

  2. Confronting Opera in the 1960s: Birtwistle’s Punch and Judy

    Wiebe, H., 1 Jan 2020, In: Journal of the Royal Musical Association. 142, 1, p. 173-204 31 p.

    Research output: Contribution to journalArticlepeer-review

  3. Opera and relational aesthetics

    Wiebe, H., 1 Nov 2019, In: OPERA QUARTERLY. 35, 1-2, p. 139-142 4 p.

    Research output: Contribution to journalComment/debatepeer-review

  4. Howard Skempton: Conversations and Reflections on Music

    Head, M. W. (ed.), Cavett, E., Whittall, A., Wiebe, H., Ap Sion, P. & Head, M., 2019, 1st ed. United Kingdom: Boydell & Brewer.

    Research output: Book/ReportBookpeer-review

  5. Reflection Two: Skempton and Experimentalism

    Wiebe, H., 2019, Howard Skempton: Conversations and Reflections on Music. Boydell & Brewer, p. 57-66 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  6. Fade to Black Britten, 'O Waly, Waly' (1947), in Terence Davies's Distant Voices, Still Lives

    Wiebe, H., 2016, In: Cambridge Opera Journal. 28, 2, p. 263-266 4 p.

    Research output: Contribution to journalArticlepeer-review

  7. La Belle Hélène and the Fantasy of Passion

    Wiebe, H., Sep 2015, Kunst der Oberfläche : Operette zwischen Bravour und Banalität . Berlin: Henschel Verlag, p. 198-201 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference paper

  8. Discovering America: From Paul Bunyan to Peter Grimes

    Wiebe, H., 31 Jul 2015, In: Cambridge Opera Journal. 27, 2, p. 129-153 25 p.

    Research output: Contribution to journalArticlepeer-review

  9. Oedipus direct

    Wiebe, H., 16 May 2014, In: TLS: the Times literary supplement. 5798, p. 17-18 2 p.

    Research output: Contribution to journalComment/debate

  10. Performance: Prospero's ossified Isle: Thomas Adès's The Tempest

    Wiebe, H., Mar 2014, In: OPERA QUARTERLY. 30, 1, p. 166-168 3 p.

    Research output: Contribution to journalArticlepeer-review

  11. Through time and space

    Wiebe, H., 26 Jul 2013, In: TLS: the Times literary supplement. 5756, p. 17-18 2 p.

    Research output: Contribution to journalArticle

  12. Curlew River and Cultural Encounter

    Wiebe, H., 2013, Rethinking Britten. Rupprecht, P. (ed.). Oxford: Oxford University Press, p. 156-180 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Benjamin Britten

    Wiebe, H., 2011, Oxford Bibliographies Online. Gustafson, B. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingEntry in encyclopedia/dictionarypeer-review

  14. The Rake's Progress as Opera Museum

    Wiebe, H., 2009, In: OPERA QUARTERLY. 25, 1-2, p. 6-27 22 p.

    Research output: Contribution to journalArticlepeer-review

  15. Benjamin Britten, the "national faith," and the animation of history in 1950s England

    Wiebe, H., Feb 2006, In: REPRESENTATIONS. 93, p. 76-105 30 p.

    Research output: Contribution to journalArticlepeer-review

  16. 'Now and England': Britten's Gloriana and the 'New Elizabethans'

    Wiebe, H., 2005, In: Cambridge Opera Journal. 17, 2, p. 141-172 32 p.

    Research output: Contribution to journalArticlepeer-review

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