Abstract
Participatory photography projects with marginalized groups have become commonplace. Underpinned by celebratory narratives that cast photography as an inherently empowering activity, these projects promise to give voice and enable change. However critical thinkers raise concerns around tokenism and the over-simplification of the participatory photography narrative. They point to a hollowing of the critical and radical potential of contemporary participatory and community-engaged photography. The challenge for practitioners is how to re-imagine the promise of participatory photography to account for the tension and negotiation it involves. Drawing on photography by young people living in the UK as refugees, this chapter offers the conceptual metaphor of a photography of becoming to reconceptualise the promise of participatory photography through a pluralist imagination. A photography of becoming accounts for the fluid and contrary forms of photography that emerge from participatory projects. It frames participatory photography’s potential as lying in its capacity to enable and accommodate plural ways of seeing and to nurture a critical, dialogical engagement with difference. A photography of becoming highlights the emergent, collaborative and fragile character of participatory photography while reaffirming its contribution to supporting emerging voices and claims, creating spaces for agency and resistance and making visible unheard and unrecognized stories.
| Original language | English |
|---|---|
| Title of host publication | Contemporary Photography as Collaboration |
| Editors | Mathilde Bertrand, Karine Chambefort-Kay |
| Place of Publication | Cham |
| Publisher | Palgrave Macmillan |
| Pages | 23–42 |
| Number of pages | 20 |
| ISBN (Electronic) | 9783031414442 |
| ISBN (Print) | 9783031414435, 9783031414466 |
| DOIs | |
| Publication status | Published - 1 Feb 2024 |
Keywords
- participatory photography
- photovoice
- visual methods
- Collaborative research
- refugees