Abstract
A reading of one of artist-filmmaker Ottinger's most well-known works, arguing for its timeliness as a vehicle of a queer feminist and transcultural sentimental education.
Original language | English |
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Title of host publication | Ulrike Ottinger |
Subtitle of host publication | Film, Art and the Ethnographic Imagination |
Editors | Angela McRobbie |
Publisher | Intellect |
Publication status | Accepted/In press - 2024 |