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Abstract
This chapter examines addresses Facebook as a virtual festival space where affective performances take place. It focuses on performances of the identity as rooted cosmopolitanism, a term coined by Kwame Appiah to refer to people who identify as citizens of the world while feeling strongly grounded in a particular place. This is illustrated through the case study of FESFOP, the Festival international de folklore et de percussion based in Louga (Senegal). During the festival, there is both physical engagement, of artists from Louga based abroad, and digital engagement, through Facebook. The chapter identifies different affective performances of rooted cosmopolitanism: celebrating belonging to the region, expressing nostalgia and enhancing the festival participants’ international recognition and professionalisation through their connections to the roots.
Original language | English |
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Title of host publication | Doing Digital Migration Studies |
Subtitle of host publication | Theories and Practices of the Everyday |
Editors | Koen Leurs , Sandra Ponzanesi |
Publisher | Amsterdam University Press |
Chapter | 11 |
Pages | 259 |
Number of pages | 278 |
ISBN (Print) | 9789463725774 |
Publication status | Published - 21 Feb 2024 |
Keywords
- migration
- social media
- affect
- rooted cosmopolitanism
- Sengal
- festival
- Louga
- FESFOP
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Dive into the research topics of 'Affective performances of rooted cosmopolitanism through Facebook during the Festival International de Folklore et de Percussion in Louga, Senegal'. Together they form a unique fingerprint.Activities
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Migrant Belongings: Digital Practices and the Everyday
Sendra, E. (Speaker)
21 Apr 2021 → 23 Apr 2021Activity: Participating in or organising an event › Participation in conference