Abstract
Despite significant scholarly interest in the cultural impact of the First World War, little critical attention has hitherto been paid to the way in which popular fiction responded to the experience of war. This article argues that the popular novel underwent its own crisis of representation during the First World War through a close reading of the three Arsène Lupin novels set between 1914 and 1918. The Lupin novels are a privileged site for examining this issue not only because of their immense success but also because the character of Lupin embodied a certain ideal of heroism that had emerged in the wake of the debacle of 1870. Testing that idea against the reality of industrialized warfare, the Lupin war novels demonstrate its friability, and through the development of an aesthetics of the uncanny register the trauma of war in unexpected and unexpectedly revealing ways.
Original language | English |
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Pages (from-to) | 52-66 |
Journal | NOTTINGHAM FRENCH STUDIES |
Volume | 56 |
Issue number | 1 |
Early online date | 28 Feb 2017 |
DOIs | |
Publication status | Published - Mar 2017 |