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Abstract
Examines ways in which Chinese and Euro-American film theorists conceptualize reality and cinema
In Cinema Approaching Reality, Victor Fan brings together, for the first time, Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through the 1940s. The result is an eye-opening exploration of the potentialities in approaching cinema anew, especially in the photographic materiality following its digital turn.
In Cinema Approaching Reality, Victor Fan brings together, for the first time, Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through the 1940s. The result is an eye-opening exploration of the potentialities in approaching cinema anew, especially in the photographic materiality following its digital turn.
| Original language | English |
|---|---|
| Place of Publication | Minneapolis |
| Publisher | University of Minnesota Press |
| Number of pages | 296 |
| ISBN (Print) | 9780816693573, 9780816693559 |
| Publication status | Published - 15 Mar 2015 |
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Dive into the research topics of 'Cinema Approaching Reality: Locating Chinese Film Theory'. Together they form a unique fingerprint.Research output
- 44 Citations
- 1 Article
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Approaching Reality: Epistemic Distance, Political Crises and Temporal Imaginations in the Sino-French Dialogue on Cinema Ontology
Fan, H. L. V., 2012, In: World Picture Journal. 7, N/A, p. N/A 20 p., N/A.Research output: Contribution to journal › Article › peer-review