Projects per year
Abstract
CosmoNote is a web-based application for visualizing and annotating expressive structures in performed music. This demo highlights the flexibility of CosmoNote’s reconfigurable interface, features, and toolsets to design experiments to advance knowledge in music science, music perception, and music expressivity. CosmoNote’s music pieces are organized into collections accessible by user accounts with defined roles. The music representations integrate synchronized visual layers representing recorded piano performance data and features to facilitate and inform annotations. The web app provides four annotation types: boundaries, regions, note-groups and comments. Through the selection of pieces, collections and user roles, CosmoNote’s features can be tailored to investigate diverse research questions about experimental design for music audio-based annotations.
Original language | English |
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Title of host publication | 19th Sound and Music Computing Conference |
Place of Publication | 10.5281/zenodo.6822204 |
Publisher | Zenodo |
Pages | 693 |
Number of pages | 694 |
Volume | 19 |
Publication status | Published - 5 Jun 2022 |
Event | 19th Sound and Music Computing Conference - Télécom Saint-Étienne, Saint-Étienne, France Duration: 5 Jun 2022 → 12 Jun 2022 Conference number: 19 https://smc22.grame.fr/ |
Conference
Conference | 19th Sound and Music Computing Conference |
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Abbreviated title | SMC 2022 |
Country/Territory | France |
City | Saint-Étienne |
Period | 5/06/2022 → 12/06/2022 |
Internet address |
Keywords
- citizen science
- performance
- music analysis
- visualisation
- web audio
Fingerprint
Dive into the research topics of 'Creating Experiments with Cosmonote: Advancing Web-Based Annotations for Performed Music'. Together they form a unique fingerprint.Projects
- 1 Active
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COSMOS: COSMOS: Computational Shaping and Modeling of Musical Structures
Chew, E. (Primary Investigator)
1/07/2022 → 30/11/2025
Project: Research
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Seeing music's effect on the heart
Chew, E., Fyfe, L., Picasso, C. & Lambiase, P., 1 Nov 2024, In: European Heart Journal. 45, 41, p. 4359–4363 5 p., ehae436.Research output: Contribution to journal › Article › peer-review
Open Access -
Characterizing and Interpreting Music Expressivity through Rhythm and Loudness Simplices
Lascabettes, P., Chew, E. & Bloch, I., Oct 2023, International Computer Music Conference, ICMC Proceedings: 2023 International Computer Music Conference: The Sound of Changes, ICMC 2023. 47 ed. Shenzhen, China, Vol. 2023. p. 110-117 8 p. (International Computer Music Conference, ICMC Proceedings; vol. 2023).Research output: Chapter in Book/Report/Conference proceeding › Conference paper › peer-review
Open AccessFile -
Quantifying Karajan: Timing, Dynamics and Harmonic Tension
Chew, E., 1 Sept 2023, "Seine ganze Musikdeutung geht ja vom Klang aus". Musikalische Interpretation bei Herbert von Karajan. Aringer, K., Revers, P. & Wozonig, T. (eds.). Hildesheim: Olms, p. 25-41 17 p. 2Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
File
Activities
- 2 Invited talk
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Open Innovation in Science 2024: Debate: Zeroing in on the scientist: Navigating Dynamic Challengesin the Modern Research Landscape
Chew, E. (Speaker)
22 May 2024Activity: Talk or presentation › Invited talk
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Journées d'Informatique Musicale (JIM24): Keynote: Music, Mathematics, and the Heart: A mellifluous mélange
Chew, E. (Speaker)
6 May 2024Activity: Talk or presentation › Invited talk