@article{1fb7a4e14714449db83099baa28b9246,
title = "Dak{\textquoteright}Art. 30 Years of Arts Curation and Reception in Postcolonial African Societies",
abstract = "On 20 March 2020, three days before the announcement of the state ofemergency regarding the spread of Covid-19 by Senegal{\textquoteright}s president MackySall, the Biennale de l{\textquoteright}Art Contemporaine Africaine communicated its decision to postpone (and rethink) its fourteenth edition. This would insteadoffer an online curated exhibition of art works as well as videos by artistsand experts produced during the pandemic.The 2020 Biennale de l{\textquoteright}Art Contemporaine Africaine, more known asDak{\textquoteright}Art, marked the 30th anniversary of this biennial meeting point ofAfrican contemporary arts. Dak{\textquoteright}Art was founded in 1990 as one of the majorstate arts initiatives on the African continent after the 1966 First World Festival of Negro Arts. Then called Biennale des Lettres et des Arts, the eventwas aimed at offering Senegalese artists an international platform to showcase their work and establish networks with fellow actors in arts production.In 1996, it experienced a rebirth, repositioning itself as Biennale de l{\textquoteright}ArtContemporaine Africaine or Dak{\textquoteright}Art, a name that continues up to now. ",
keywords = "Biennale, Festival, Dak'Art, Dakar, Arts, Curation, Management",
author = "Estrella Sendra",
year = "2020",
language = "English",
volume = "135",
pages = "65--71",
journal = "Arts Management Quarterly",
issn = "1610-238X",
}