Abstract
Shelagh Rowann-Legg formulates an interpretation of Deleuze’s theory of the time-image. She analyses the post-modern films Solaris and Arbre los ojos, in which a virtual construct is produced in the minds of the central characters, exemplifying Barbara Filser’s ideas about the third cinema.
| Original language | English |
|---|---|
| Article number | N/A |
| Pages (from-to) | 33-47 |
| Number of pages | 15 |
| Journal | Philament |
| Volume | N/A |
| Issue number | 18 |
| Publication status | Published - Nov 2012 |