Abstract
Proposes a new view of the later eighteenth century, and music's place in it, in terms of dynamic processes: metamorphosis, alchemy, vitalism, animation, disguise, acting, and madness. Argues that the taxonomic mentality of the period structured and facilitated a fascination with volatility and radical transformation. Poses a challenge to musical scholarship in which the fixing of music in score and performance, style and genre, period and context, obscures music's protean muse.
Original language | English |
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Journal | JOURNAL OF MUSICOLOGICAL RESEARCH |
Volume | 40 |
Publication status | Accepted/In press - 12 Jan 2021 |