Glass/Screen, or Dialectics at a (Momentary) Standstill: Marcelle Ferron’s Windows at the International Trade Centre/Expo Club

Craig Moyes, Bruno Andrus

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

Rediscovers a "lost" work of Québécois stained glass artist Marcelle Ferron for Expo 67 and, using Walter Benjamin as a theoretical guide, resituates it within the public art of the Quiet Revolution.
Original languageEnglish
Title of host publicationExpo 67 and Its World
Subtitle of host publicationStaging the Nation in the Crucible of Globalization
Chapter9
Pages298-338
Number of pages40
Publication statusPublished - 10 Jun 2022

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