Abstract
Rediscovers a "lost" work of Québécois stained glass artist Marcelle Ferron for Expo 67 and, using Walter Benjamin as a theoretical guide, resituates it within the public art of the Quiet Revolution.
| Original language | English |
|---|---|
| Title of host publication | Expo 67 and Its World |
| Subtitle of host publication | Staging the Nation in the Crucible of Globalization |
| Chapter | 9 |
| Pages | 298-338 |
| Number of pages | 40 |
| Publication status | Published - 10 Jun 2022 |