Abstract
It has often been taken as given that the internet frees access to information and knowledge, and that the emergence of Web 2.0 and social media have transformed the way we interact with the information landscape around us. One has only to look at developments in the 2011 Arab Spring to see this in action, and whilst there are differences of opinion on the exact dynamics of the web in such events, the significance of its role as an enabler of ‘the crowd’ to access and exchange knowledge cannot be denied (see P. Howard and M. Hussain, ‘The Role of Digital Media’ Journal of Democracy, Volume 22, Number 3, July 2011, pp. 35-48). Similarly spontaneous use of social media in the 2010 London Tuition Fee riots raised questions about immediate, synchronous communication.
Drawing on the findings of the author’s AHRC-funded Crowd-Sourcing Scoping Study, this chapter will reflect on how crowd-sourcing enables deep knowledge circulation, in the wider context of social media. How does crowd-sourcing in the humanities enable synthesis and interpretation, rather than simple resource creation or dissemination?
Drawing on the findings of the author’s AHRC-funded Crowd-Sourcing Scoping Study, this chapter will reflect on how crowd-sourcing enables deep knowledge circulation, in the wider context of social media. How does crowd-sourcing in the humanities enable synthesis and interpretation, rather than simple resource creation or dissemination?
Original language | English |
---|---|
Title of host publication | Crowdsourcing our cultural heritage |
Editors | Mia Ridge |
Publisher | Ashgate |
Pages | 231-246 |
Number of pages | 16 |
ISBN (Print) | 9781472410221 |
Publication status | Published - 2014 |
Publication series
Name | Digital Research in the Arts and Humanities |
---|
Keywords
- crowdsourcing
- methodology