Imagining Self, Nation and History Through the Wartime Propaganda Posters of the Ministry of Information

TY - JOUR

T1 - Imagining Self, Nation and History Through the Wartime Propaganda Posters of the Ministry of Information

AU - Howells, Katherine Margaret

PY - 2019/1/25

Y1 - 2019/1/25

N2 - During the Second World War, the British Ministry of Information (MoI) produced posters to promote its home front campaigns and inform and motivate the British people. Some posters have been republished in a variety of media over the last seventy years and are recognised today by large numbers of British people. These have had a significant influence on British cultural memory and identity. This paper assesses the impact of certain MoI posters on the construction and communication of personal, familial and national identities in Britain. This is achieved through semiotic analyses of the images in light of evidence of their reception by the British public both during the war and in the present day, enabling examination of the images’ design and symbolic power. Evidence of reception in the present day is drawn from surveys and interviews conducted with volunteers in 2017. Drawing on theories of semiotics and cultural memory, this paper reveals how graphic images designed for distinct purposes can, over time, serve to help people to imagine themselves, their nation and their history. It contributes to discussions on the function of visual propaganda and to our understanding of the role of historical images in shaping cultural memory and identity.

AB - During the Second World War, the British Ministry of Information (MoI) produced posters to promote its home front campaigns and inform and motivate the British people. Some posters have been republished in a variety of media over the last seventy years and are recognised today by large numbers of British people. These have had a significant influence on British cultural memory and identity. This paper assesses the impact of certain MoI posters on the construction and communication of personal, familial and national identities in Britain. This is achieved through semiotic analyses of the images in light of evidence of their reception by the British public both during the war and in the present day, enabling examination of the images’ design and symbolic power. Evidence of reception in the present day is drawn from surveys and interviews conducted with volunteers in 2017. Drawing on theories of semiotics and cultural memory, this paper reveals how graphic images designed for distinct purposes can, over time, serve to help people to imagine themselves, their nation and their history. It contributes to discussions on the function of visual propaganda and to our understanding of the role of historical images in shaping cultural memory and identity.

KW - identity

KW - cultural memory

KW - propaganda

U2 - 10.18848/2154-8560/CGP/v10i01/27-46

DO - 10.18848/2154-8560/CGP/v10i01/27-46

M3 - Article

SN - 2154-8560

VL - 10

JO - The International Journal of the Image

JF - The International Journal of the Image

IS - 1

ER -