King's College London

TY - CHAP

T1 - Lesbians on Screen

AU - Bradbury-Rance, Clara

PY - 2020/11

Y1 - 2020/11

N2 - This entry considers the major shifts in lesbian representation on cinema, television, and digital screens over the past 20 years, in the context of a longer history. Focusing on the question of visibility and progress, the entry explores how historical processes of marginalization have placed burdens of representation on lesbian visual cultures in the present. Emphasizing the intersection of sexuality with gender and race, the entry explores the history of the term “lesbian” in film criticism and identifies its place in contemporary discourses of sexuality marked by the influence of queer theory. The entry begins by outlining the contemporary cultural and social context. It then proceeds to identify how the lesbian has been framed through discourses of visibility and invisibility, both on-screen and in criticism. The entry then offers an overview of some of the primary stereotypes that have figured lesbianism on the classic Hollywood screen and beyond, from violence and seduction to the (rare) happy ending. Following this, it investigates how filmmakers have challenged these stereotypes and found new ways of exploring ambiguous desires on-screen, with a particular emphasis on the influence and legacy of the New Queer Cinema, and the tension between demands for universal stories and those that foreground the specificities of lesbian experience. Finally, arguments surrounding lesbian evidence and authenticity are explored, with attention paid to the links among spectatorship, aesthetics, identity, and identification.

AB - This entry considers the major shifts in lesbian representation on cinema, television, and digital screens over the past 20 years, in the context of a longer history. Focusing on the question of visibility and progress, the entry explores how historical processes of marginalization have placed burdens of representation on lesbian visual cultures in the present. Emphasizing the intersection of sexuality with gender and race, the entry explores the history of the term “lesbian” in film criticism and identifies its place in contemporary discourses of sexuality marked by the influence of queer theory. The entry begins by outlining the contemporary cultural and social context. It then proceeds to identify how the lesbian has been framed through discourses of visibility and invisibility, both on-screen and in criticism. The entry then offers an overview of some of the primary stereotypes that have figured lesbianism on the classic Hollywood screen and beyond, from violence and seduction to the (rare) happy ending. Following this, it investigates how filmmakers have challenged these stereotypes and found new ways of exploring ambiguous desires on-screen, with a particular emphasis on the influence and legacy of the New Queer Cinema, and the tension between demands for universal stories and those that foreground the specificities of lesbian experience. Finally, arguments surrounding lesbian evidence and authenticity are explored, with attention paid to the links among spectatorship, aesthetics, identity, and identification.

U2 - https://doi.org/10.1002/9781119429128.iegmc287

DO - https://doi.org/10.1002/9781119429128.iegmc287

M3 - Entry in encyclopedia/dictionary

SN - 9781119429104

BT - The International Encyclopedia of Gender, Media, and Communication

PB - Wiley

ER -