TY - JOUR
T1 - Making Data Visualizations, Contesting Security
T2 - Digital Humanities Meet International Relations
AU - Aradau, Claudia
AU - Blanke, Tobias
AU - Hussain, Ibtehal
N1 - Publisher Copyright:
© 2023 The Author(s) (2023). Published by Oxford University Press on behalf of the International Studies Association.
PY - 2023/10/1
Y1 - 2023/10/1
N2 - This article brings debates about data visualization in digital humanities in conversation with critical security studies and international relations. Building on feminist approaches in digital humanities, we explore the potential and limitations of data visualization as a critical method for research on (in)security. We unpack three aspects of making data visualizations by specifying "making"in this context as working, orienting, and critiquing. Making data visualizations as a methodological device is oriented by questions about the contestation of security and orients research by provoking new questions about practices of critique. Empirically, we situate data visualizations within British parliamentary debates about the Government Communications Headquarters (GCHQ), the UK's signals intelligence agency, which has garnered much public attention in the wake of the Snowden disclosures of transnational mass surveillance. We argue that data visualization in the parliamentary archive can destabilize dominant understandings of security, problematize narratives of security actors and oversight, and attend to the uneven presence of critique and contestation within and beyond parliamentary debates.
AB - This article brings debates about data visualization in digital humanities in conversation with critical security studies and international relations. Building on feminist approaches in digital humanities, we explore the potential and limitations of data visualization as a critical method for research on (in)security. We unpack three aspects of making data visualizations by specifying "making"in this context as working, orienting, and critiquing. Making data visualizations as a methodological device is oriented by questions about the contestation of security and orients research by provoking new questions about practices of critique. Empirically, we situate data visualizations within British parliamentary debates about the Government Communications Headquarters (GCHQ), the UK's signals intelligence agency, which has garnered much public attention in the wake of the Snowden disclosures of transnational mass surveillance. We argue that data visualization in the parliamentary archive can destabilize dominant understandings of security, problematize narratives of security actors and oversight, and attend to the uneven presence of critique and contestation within and beyond parliamentary debates.
UR - http://www.scopus.com/inward/record.url?scp=85180070774&partnerID=8YFLogxK
U2 - 10.1093/isagsq/ksad061
DO - 10.1093/isagsq/ksad061
M3 - Article
AN - SCOPUS:85180070774
SN - 2634-3797
VL - 3
JO - Global Studies Quarterly
JF - Global Studies Quarterly
IS - 4
M1 - ksad061
ER -