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O olhar e os olhares de um artista brasileiro na Segunda Guerra Mundial – o “Caderno de Guerra” do pracinha Carlos Scliar. The eyes and sight of a Brazilian artist in WWII - Carlos Scliar's 'Caderno de Guerra'

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Original languagePortuguese
Title of host publicationEstudos Visuais e Literatura
EditorsKarl Erik Schollhammer, Heidrun Krieger Olinto, Danusa Depes Portas
PublisherPUC Rio
Pages375-394
Number of pages19
ISBN (Print)978-85-8006-236-6
Accepted/In press2018
Published20 May 2019
EventSeminário International de Estudos de Literatura : Estudos Visuais e a Literatura - Pontificia Universidade Católica Rio de Janeiro - PUC Rio, Rio de Janeiro, Brazil
Duration: 6 Apr 20177 Apr 2017
Conference number: XIV

Seminar

SeminarSeminário International de Estudos de Literatura
Country/TerritoryBrazil
CityRio de Janeiro
Period6/04/20177/04/2017

Bibliographical note

Brazil's active participation in World War II by sending more than 25,000 soldiers to the battle front in Italy is largely neglected in historiography, and is even more the artistic production of some of these soldiers, reflecting the experience of the war. In this text, I analyze the works produced by Carlos Scliar during the period when he was on the Italian front and later exposed in Brazil under the title of “Caderno de Guerra”. Before presenting and properly analyzing the “caderno de Guerra”, I draw some considerations on art in war in general and in particular in World War II, correlating the experience and expression of Scliar with a more comprehensive context.

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