Abstract
This article examines accounts of negation or the apophatic in Pseudo-Dionysius, Theodor Adorno and Jacques Derrida alongside a contemporary work of art by London Fieldworks, Null Object: Gustav Metzger Thinks About Nothing (2012). By exploring models of negative knowledge offered in these works, it asks what happens to the work of art when it becomes preoccupied with negation and how a work of art might embody or manifest – without reproducing – philosophical discourses about negation.
Original language | English |
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Pages (from-to) | 196-217 |
Journal | Paragraph: A Journal of Modern Critical Theory |
Volume | 41 |
Issue number | 2 |
Early online date | 21 Jun 2018 |
DOIs | |
Publication status | Published - 1 Jul 2018 |