Original Copies: How Film and Video Became Art Objects

Erika Balsom

Original Copies: How Film and Video Became Art Objects

Film Studies

Research output: Contribution to journal › Article › peer-review

Abstract

This article examines the sale of film and video as art objects, with particular attention to the development of the limited-edition model throughout the twentieth century. It offers an explanation for the ascendance of this model in the 1990s and explores both the support and criticism it has received.

Original language	English
Pages (from-to)	97-118
Journal	CINEMA JOURNAL
Volume	53
Issue number	1
Publication status	Published - 2013

Access to Document

http://muse.jhu.edu/journals/cinema_journal/v053/53.1.balsom.html

Cite this

@article{33fcff23c23f468c8423770a39bb870a,

title = "Original Copies: How Film and Video Became Art Objects",

abstract = "This article examines the sale of film and video as art objects, with particular attention to the development of the limited-edition model throughout the twentieth century. It offers an explanation for the ascendance of this model in the 1990s and explores both the support and criticism it has received. ",

author = "Erika Balsom",

year = "2013",

language = "English",

volume = "53",

pages = "97--118",

journal = "CINEMA JOURNAL",

issn = "1527-2087",

publisher = "University of Illinois Press",

number = "1",

}

TY - JOUR

T1 - Original Copies

T2 - How Film and Video Became Art Objects

AU - Balsom, Erika

PY - 2013

Y1 - 2013

N2 - This article examines the sale of film and video as art objects, with particular attention to the development of the limited-edition model throughout the twentieth century. It offers an explanation for the ascendance of this model in the 1990s and explores both the support and criticism it has received.

AB - This article examines the sale of film and video as art objects, with particular attention to the development of the limited-edition model throughout the twentieth century. It offers an explanation for the ascendance of this model in the 1990s and explores both the support and criticism it has received.

M3 - Article

SN - 1527-2087

VL - 53

SP - 97

EP - 118

JO - CINEMA JOURNAL

JF - CINEMA JOURNAL

IS - 1

ER -

Original Copies: How Film and Video Became Art Objects

Abstract

Access to Document

Fingerprint

Cite this