"Ozuesque as a Sensibility or, On the Notion of Influence"

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Abstract

This chapter considers “Ozuesque” as an individual sensibility that could be rooted in and extrapolated from the thematic and stylistic traditions of both Japan and Hollywood. Ozu’s austere yet ludic constitution comprises his distinctive sensibility that is rarely emulated by any other director. In order to delineate Ozu’s aesthetic sensibility, the chapter turns to the conception of sensibility advanced by art historian Roger Fry, who argues for a need to distinguish between sensibility in design and the sensibility in texture, the latter of which he calls “surface sensibility.” Such a distinction not only helps identify Ozu’s sensibility, but further explains the uneasiness in loosely employing the term “Ozuesque” in the discussion of directors who are influenced by, or pay homage to, Ozu. The latter half of the chapter examines Kore-eda Hirokazu, who is often compared to Ozu, not through formal terms, but instead via their shared, muted sensibility.
Original languageEnglish
Title of host publicationReorienting Ozu
Subtitle of host publicationA Master and His Influence
PublisherOxford Univerity Press; Oxford
Chapter5
Pages77-97
Number of pages20
ISBN (Print)9780190254971
DOIs
Publication statusPublished - Dec 2017

Keywords

  • Ozu
  • Ozuesque
  • Kore-eda Hirokazu
  • Nobody Knows
  • Tokyo Twilight
  • dolls
  • muted sensibility

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