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Release Groups & The Scene: Re-Intermediation and Competitive Gatekeepers Online

Research output: Contribution to journalArticle

Original languageEnglish
Pages (from-to)67-80
Number of pages13
JournalCinéma & Cie
VolumeXVII
Issue number29
Publication statusPublished - Oct 2017

Documents

  • C&C29_Crisp

    C_C29_Crisp.pdf, 572 KB, application/pdf

    1/01/2020

    Final published version

King's Authors

Abstract

While recent years has witnessed the proliferation of new modes and methods of informal distribution, a certain sector of unauthorized media distribution, namely ‘The Scene’, has been subject to surprisingly little academic consideration. ‘The Scene’ is a collective title for several self-identified ‘release groups’ who collaborate to remove copyright protection from media artefacts (e.g. games, software, films) and repackage them into ‘releases’ for distribution online. Despite assertions that the Scene is the source of ‘most’ pirate copies circulating online, the role these online gatekeepers play in selecting what is ‘released’ into unauthorized online distribution networks has yet to be thoroughly explored. As such, this paper will examine how the practices of The Scene intersect with the wider unauthorized distribution ecology and how they might act as both tastemakers and gatekeepers in an online context that is frequently perceived to be ‘free’, ‘open’ and untroubled by traditional intermediaries. In doing so, the paper will consider how the practices of the Scene are emblematic of the wider processes of re-intermediation that are being felt across the audio-visual industries.

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