Abstract
This study explores the cost and policy models adapted by US arts museums in arriving at pricing structures for delivering imaging and rights services. It examines the new market realities and opportunities cultural institutions face due to the transition to digital collections.One hundred US art museums were surveyed and in-depth interviews were carried out with 20 museums.
| Original language | English |
|---|---|
| Place of Publication | Online |
| Publisher | King's College London |
| Commissioning body | Andrew W Mellon Foundation |
| Number of pages | 57 |
| Publication status | Published - 19 Nov 2004 |
Keywords
- Intellectual Property
- IPR
- Museums
- Art museums
- OpenGLAM
- Open access publishing and licensing
- Licensing
- digital images
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Threads of Culture, Threads of Discourse: Keynote
Tanner, S. G., 3 Mar 2017, Copyright and Cultural Memory: Digital Conference Proceedings.. Deazley, R. & Wallace, A. (eds.). Zenodo, p. 77-90Research output: Chapter in Book/Report/Conference proceeding › Conference paper
Open AccessFile203 Downloads (Pure) -
Open GLAM: The Rewards (and Some Risks) of Digital Sharing for the Public Good: in Andrea Wallace and Ronan Deazley, eds, Display At Your Own Risk: An experimental exhibition of digital cultural heritage, 2016.
Wallace, A., Deazley, R., Tanner, S. G., Rae Blakely, M., Neely, L., Saunderson, F., Stobo, V., Patterson, K., Torremans, P., McBride, P., El-Gendi, L., Mundy, O. & Gerstenblith, P., 28 Apr 2016, 10 p.Research output: Other contribution
Open AccessFile
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Open in Practice: Inspirations, Strategies and Methods for Open Research
Tanner, S. (Keynote/plenary speaker)
30 Mar 2017Activity: Participating in or organising an event › Participation in conference
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