Review of Anastasia Bakogianni, Valerie M. Hope (eds.), War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict

Martin Dinter

Review of Anastasia Bakogianni, Valerie M. Hope (eds.), War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict

Martin Dinter

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Research output: Contribution to journal › Book/Film/Article review

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Review of Anastasia Bakogianni, Valerie M. Hope (eds.), War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict.

Original language	English
Pages (from-to)	345-350
Journal	thersites. Journal for Transcultural Presences and Diachronic Identities from Antiquity to Date
Volume	4 (2016)
Early online date	14 Apr 2017
Publication status	Published - 2017

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review of Anastasia Bakogianni, DINTER epub 14Apr2017 GOLD VoR CCBYFinal published version, 0.99 MBLicence: CC BY

http://www.thersites.uni-mainz.de/index.php/thr/article/view/46Licence: CC BY

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title = "Review of Anastasia Bakogianni, Valerie M. Hope (eds.), War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict",

abstract = "Review of Anastasia Bakogianni, Valerie M. Hope (eds.), War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict.",

author = "Martin Dinter",

year = "2017",

language = "English",

volume = "4 (2016)",

pages = "345--350",

journal = "thersites. Journal for Transcultural Presences and Diachronic Identities from Antiquity to Date",

issn = "2364-7612",

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AU - Dinter, Martin

PY - 2017

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N2 - Review of Anastasia Bakogianni, Valerie M. Hope (eds.), War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict.

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M3 - Book/Film/Article review

SN - 2364-7612

VL - 4 (2016)

SP - 345

EP - 350

JO - thersites. Journal for Transcultural Presences and Diachronic Identities from Antiquity to Date

JF - thersites. Journal for Transcultural Presences and Diachronic Identities from Antiquity to Date

ER -

Review of Anastasia Bakogianni, Valerie M. Hope (eds.), War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict

Abstract

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