Revising the siege of York: from royalist to Cromwellian in Payne Fisher's "Marston Moor"

TY - JOUR

T1 - Revising the siege of York

T2 - from royalist to Cromwellian in Payne Fisher's "Marston Moor"

AU - Moul, Victoria Alice

PY - 2016/9/14

Y1 - 2016/9/14

N2 - This is the first article dedicated to Payne (or Fitzpayne) Fisher (1615/6–1693), Cromwell’s forgotten laureate, who had a successful career as a Latin poet during the short-lived English Commonwealth (1649–1653) and Protectorate (1653–1659). The article examines in detail the four surviving versions of Fisher’s breakthrough success, the long Latin poem Marston Moor, first published in print in 1650, with a revised edition in 1656, but circulated in a much shorter manuscript form – of which two closely related examples are extant – from around 1648. Fisher fought at Marston Moor on the losing royalist side, and this remarkable poem evolves from a royalist elegy in its earliest versions, to a panegyric of Parliamentarian military strength effective enough to secure Fisher a series of commissions throughout the 1650s. The article charts each stage of these revisions, and the poetic strategies of the work, with a particular focus upon Fisher’s use of epic similes.

AB - This is the first article dedicated to Payne (or Fitzpayne) Fisher (1615/6–1693), Cromwell’s forgotten laureate, who had a successful career as a Latin poet during the short-lived English Commonwealth (1649–1653) and Protectorate (1653–1659). The article examines in detail the four surviving versions of Fisher’s breakthrough success, the long Latin poem Marston Moor, first published in print in 1650, with a revised edition in 1656, but circulated in a much shorter manuscript form – of which two closely related examples are extant – from around 1648. Fisher fought at Marston Moor on the losing royalist side, and this remarkable poem evolves from a royalist elegy in its earliest versions, to a panegyric of Parliamentarian military strength effective enough to secure Fisher a series of commissions throughout the 1650s. The article charts each stage of these revisions, and the poetic strategies of the work, with a particular focus upon Fisher’s use of epic similes.

U2 - 10.1080/0268117X.2016.1200997

DO - 10.1080/0268117X.2016.1200997

M3 - Article

SN - 0268-117X

JO - SEVENTEENTH CENTURY

JF - SEVENTEENTH CENTURY

ER -