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Research Outputs

  1. 2019
  2. Cooper, SJ 2019, Film and the Imagined Image. Edinburgh: Edinburgh University Press.
  3. Cooper, SJ 2019, Imagining on the Outskirts of the City: Duras’s Le Camion and the marcheuse. in S McIlvanney & G Ni Cheallaigh (eds), Women in the City: French Literature and Culture . University of Wales Press, Cardiff.
  4. 2018
  5. Cooper, SJ 2018, Merleau-Ponty and Film: Documenting the Imagination. in A Mildenberg (ed.), Understanding Merleau-Ponty, Understanding Modernism . Bloomsbury Academic, pp. 157-169.
  6. Cooper, SJ 2018, Put Yourself in My Place: Two Days, One Night and the Journey Back to Life. in Immanent Frames: Postsecular Cinema between The Tree of Life and Melancholia. SUNY Press.
  7. 2017
  8. Cooper, SJ 2017, 'Missing Marker', The Cine-Files, vol. Spring 2017, no. 12.
  9. 2016
  10. Cooper, SJ, Sarah Cooper on The Soul of Film Theory, 2016, Digital or Visual Products.
  11. 2014
  12. Shobana Jeyasingh and KCL academics & Cooper, SJ, Contribution to Shobana Jeyasingh 'Translocations', 2014, Web publication/site.
  13. 2013
  14. Cooper, S 2013, The Soul of Film Theory. Palgrave Macmillan, Basingstoke.
  15. Cooper, S 2013, Surreal Souls: Un Chien andalou and Early French Film Theory. in A Companion to Luis Buñuel. Blackwell Publishing Ltd, pp. 141-155. https://doi.org/10.1002/9781118324882.ch5
  16. Cooper, S 2013, Henri Agel's Cinema of Contemplation: Renoir and Philosophy. in A Companion to Jean Renoir. Blackwell Publishing Ltd, pp. 313-327. https://doi.org/10.1002/9781118325315.ch18
  17. Cooper, SJ 2013, Communion: A Film by Nina Danino. in Communion . Temporal Films, London.
  18. 2012
  19. Cooper, S 2012, Emmanuel Levinas. in Film, Theory and Philosophy: The Key Thinkers. Acumen Publishing Limited, pp. 91-99.
  20. 2011
  21. Cooper, SJ 2011, Bibliographical article on Agnes Varda. Oxford Univerity Press; Oxford.
  22. Cooper, SJ 2011, Lorna's Silence: Sartre and the Dardenne Brothers. in J-P Boule & E McCaffrey (eds), Existentialism and Contemporary Cinema: A Sartrean Perspective. Berghahn Books, Oxford, pp. 79-94.
  23. 2010
  24. Cooper, S 2010, Du visage au dos: en relisant Levinas avec les frères Dardenne. in Images des corps, corps des images au cinéma, ed, Jérôme Game. . ENS Editions, pp. 111 - 130.
  25. 2009
  26. Cooper, S 2009, Emmanuel Levinas. in Film Theory and Philosophy: The Key Thinkers. Acumen, pp. 91 - 99.
  27. Cooper, S 2009, Living On: From Kieslowski to Zanussi. in After Kieslowski: The Legacy of Krzysztof Kieslowski. Wayne State University Press, Detroit, pp. 34 - 48.
  28. 2008
  29. Cooper, S 2008, Chris Marker. Manchester University Press, Manchester.
  30. Cooper, S 2008, 'Identification Today', NOTTINGHAM FRENCH STUDIES, vol. 47, no. 3, pp. 103 - 110.
  31. Cooper, SJ 2008, Regarde la mer (1997). in Francois Ozon: 'Regarde la mer' and other short films. BFI Pub, pp. 11-13.
  32. Cooper, S 2008, Time and the City: Chris Marker. in Cities in Transition. Wallflower, pp. 113 - 122.
  33. 2007
  34. 2006
  35. Cooper, S 2006, Selfless Cinema? Ethics and French Documentary. Legenda (MHRA & Maney Publishing), Oxford.
  36. 2005
  37. Cooper, SJ 2005, Entry on Paris is Burning (Livingston). in I Aitken (ed.), Encyclopaedia of the Documentary Film. Routledge, London.
  38. Cooper, SJ 2005, Entry on Raymond Depardon. in I Aitken (ed.), Encyclopaedia of the Documentary Film. Routledge, London.
  39. 2004
  40. Cooper, SJ 2004, Entry on Julia Kristeva. in C Murray (ed.), Companion to Modern French Thought. Fitzroy Dearborn, London.
  41. 2003
  42. 2002
  43. 2001
  44. 2000
  45. Cooper, S 2000, Luce Irigaray: Reading and Writing the Body. in J Prest & H Thompson (eds), Corporeal Practices: (Re)figuring the Body in French Studies. Modern French Identities, Peter Lang, Oxford, England, pp. 135 - 151.
  46. 1999
  47. Cooper, S 1999, Genre and Sexuality: Cixous's and Derrida's Textual Performances. in V Best & P Collier (eds), Powerful Bodies. Modern French Identities Series, Vol 1, Peter Lang, Bern, pp. 199 - 212.

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