King's College London

Research portal

Research Outputs

  1. 2019
  2. Cooper, SJ 2019, Imagining on the Outskirts of the City: Duras’s Le Camion and the marcheuse. in S McIlvanney & G Ni Cheallaigh (eds), Women in the City: French Literature and Culture . University of Wales Press, Cardiff.
  3. 2018
  4. Cooper, SJ 2018, Merleau-Ponty and Film: Documenting the Imagination. in A Mildenberg (ed.), Understanding Merleau-Ponty, Understanding Modernism . Bloomsbury Academic, pp. 157-169.
  5. Cooper, SJ 2018, Put Yourself in My Place: Two Days, One Night and the Journey Back to Life. in Immanent Frames: Postsecular Cinema between The Tree of Life and Melancholia. SUNY Press.
  6. 2016
  7. Cooper, SJ, Sarah Cooper on The Soul of Film Theory, 2016, Digital or Visual Products.
  8. 2013
  9. Cooper, S 2013, Surreal Souls: Un Chien andalou and Early French Film Theory. in A Companion to Luis Buñuel. Blackwell Publishing Ltd, pp. 141-155. https://doi.org/10.1002/9781118324882.ch5
  10. Cooper, S 2013, Henri Agel's Cinema of Contemplation: Renoir and Philosophy. in A Companion to Jean Renoir. Blackwell Publishing Ltd, pp. 313-327. https://doi.org/10.1002/9781118325315.ch18
  11. Cooper, SJ 2013, Communion: A Film by Nina Danino. in Communion . Temporal Films, London.
  12. 2012
  13. Cooper, S 2012, Emmanuel Levinas. in Film, Theory and Philosophy: The Key Thinkers. Acumen Publishing Limited, pp. 91-99.
  14. 2011
  15. Cooper, SJ 2011, Lorna's Silence: Sartre and the Dardenne Brothers. in J-P Boule & E McCaffrey (eds), Existentialism and Contemporary Cinema: A Sartrean Perspective. Berghahn Books, Oxford, pp. 79-94.
  16. 2010
  17. Cooper, S 2010, Du visage au dos: en relisant Levinas avec les frères Dardenne. in Images des corps, corps des images au cinéma, ed, Jérôme Game. . ENS Editions, pp. 111 - 130.
  18. 2009
  19. Cooper, S 2009, Emmanuel Levinas. in Film Theory and Philosophy: The Key Thinkers. Acumen, pp. 91 - 99.
  20. Cooper, S 2009, Living On: From Kieslowski to Zanussi. in After Kieslowski: The Legacy of Krzysztof Kieslowski. Wayne State University Press, Detroit, pp. 34 - 48.
  21. 2008
  22. Cooper, SJ 2008, Regarde la mer (1997). in Francois Ozon: 'Regarde la mer' and other short films. BFI Pub, pp. 11-13.
  23. Cooper, S 2008, Time and the City: Chris Marker. in Cities in Transition. Wallflower, pp. 113 - 122.
  24. 2005
  25. Cooper, SJ 2005, Entry on Paris is Burning (Livingston). in I Aitken (ed.), Encyclopaedia of the Documentary Film. Routledge, London.
  26. Cooper, SJ 2005, Entry on Raymond Depardon. in I Aitken (ed.), Encyclopaedia of the Documentary Film. Routledge, London.
  27. 2004
  28. Cooper, SJ 2004, Entry on Julia Kristeva. in C Murray (ed.), Companion to Modern French Thought. Fitzroy Dearborn, London.
  29. 2000
  30. Cooper, S 2000, Luce Irigaray: Reading and Writing the Body. in J Prest & H Thompson (eds), Corporeal Practices: (Re)figuring the Body in French Studies. Modern French Identities, Peter Lang, Oxford, England, pp. 135 - 151.
  31. 1999
  32. Cooper, S 1999, Genre and Sexuality: Cixous's and Derrida's Textual Performances. in V Best & P Collier (eds), Powerful Bodies. Modern French Identities Series, Vol 1, Peter Lang, Bern, pp. 199 - 212.

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