King's College London

Research portal

Research Outputs

  1. 2017
  2. Leech-Wilkinson, D, Geyer, L & Marchment, E, Dido & Belinda, 2017, Performance.
  3. 2013
  4. Leech-Wilkinson, D 2013, The emotional power of musical performance. in T Cochrane, B Fantini & KR Scherer (eds), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression and social control . Series in Affective Science, Oxford University Press, New York, pp. 41-54.
  5. 2012
  6. Kussner, M, Prior, H, Gold, N & Leech-Wilkinson, D 2012, Getting the shapes “right” at the expense of creativity? How musicians’ and non-musicians’ visualizations of sound differ. in Proceedings of 12th International Conference on Music Perception and Cognition (ICMPC) / 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM).
  7. 2011
  8. Leech-Wilkinson, D 2011, Early recorded violin playing: evidence for what? in C Bacciagaluppi, R Brotbeck & A Gerhard (eds), Spielpraxis der Saiteninstrumente in der Romantik: Bericht des Syposiums in Bern, 18.-19. November 2006. Argus, Schliengen, pp. 9-22.
  9. Leech-Wilkinson, D 2011, Making music with Alfred Cortot: ontology, data, analysis. in Gemessene Interpretation: Computergestützte Aufführungsanalyse im Kreuzverhör der Disziplinen. Klang und Begriff, vol. 4, Schott, Mainz, pp. 129-144.
  10. 2009
  11. Leech-Wilkinson, D 2009, Musicology and performance. in Z Blazekovic (ed.), Music’s Intellectual History: Founders, Followers & Fads. Répertoire International de Littérature Musicale, New York, pp. 791-804.
  12. Leech-Wilkinson, D 2009, Recordings and histories of performance style. in The Cambridge Companion to Recorded Music. Cambridge University Press, Cambridge, pp. 246-262.
  13. 2003
  14. LEECH-WILKINSON, D 2003, Rose lis revisited. in EE LEACH (ed.), Machaut's Music: New Interpretations.. (Studies in Medieval and Renaissance Music, 1)., Boydell & Brewer Ltd, Woodbridge, Suffolk:, pp. 249 - 262.
  15. 2001
  16. Leech-Wilkinson, D 2001, Using recordings to study musical performance. in A Linehan (ed.), Aural History: Essays on Recorded Sound. The British Library, pp. 1 - 12.
  17. Leech-Wilkinson, D 2001, Wie überträgt man die Musik des Mittelalters? in W Gratzer & H Möller (eds), Übersetzte Zeit: Das Mittelalter und die Musik der Gegenwart. Wolke Verlagsges, Hofheim, pp. 325 - 339.

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