King's College London

Research portal

Research Outputs

  1. 2017
  2. Leech-Wilkinson D (Other), Geyer L (Other), Marchment E (Other). Dido & Belinda 2017.
  3. 2016
  4. Leech-Wilkinson D, (ed.), Dogantan-Dack M, Dolan A, Dolan D, Gilchrist D, Katz S et al. Challenging Performance. 2016.
  5. 2015
  6. 2014
  7. 2013
  8. Kussner M, Leech-Wilkinson D. Audio-visuo-spatial mappings in real-time: how musical training shapes gestural cross-modal correspondences. In Paper presented at the biennial meeting of the Society for Music Perception and Cognition . Toronto. 2013
  9. Leech-Wilkinson D. The emotional power of musical performance. In Cochrane T, Fantini B, Scherer KR, editors, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression and social control . New York: Oxford University Press. 2013. p. 41-54. (Series in Affective Science).
  10. 2012
  11. Kussner M, Prior H, Gold N, Leech-Wilkinson D. Getting the shapes “right” at the expense of creativity? How musicians’ and non-musicians’ visualizations of sound differ. In Proceedings of 12th International Conference on Music Perception and Cognition (ICMPC) / 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). 2012
  12. 2011
  13. Leech-Wilkinson D. Early recorded violin playing: evidence for what? In Bacciagaluppi C, Brotbeck R, Gerhard A, editors, Spielpraxis der Saiteninstrumente in der Romantik: Bericht des Syposiums in Bern, 18.-19. November 2006. Schliengen: Argus. 2011. p. 9-22
  14. Leech-Wilkinson D. Making music with Alfred Cortot: ontology, data, analysis. In Gemessene Interpretation: Computergestützte Aufführungsanalyse im Kreuzverhör der Disziplinen. Mainz: Schott. 2011. p. 129-144. (Klang und Begriff).
  15. Kussner M, Gold N, Tidhar D, Prior H, Leech-Wilkinson D. Synaesthetic Traces: Digital Acquisition of Musical Shapes. In Proceedings of the 2nd Supporting Digital Humanities Conference: ‘Answering the unaskable’. University of Copenhagen. 2011
  16. 2010
  17. 2009
  18. Beardsley R (Author), Leech-Wilkinson D (Photographer). A brief history of recording Centre for the History and Analysis of Recorded Music. 2009.
  19. Leech-Wilkinson D. Musicology and performance. In Blazekovic Z, editor, Music’s Intellectual History: Founders, Followers & Fads. New York: Répertoire International de Littérature Musicale. 2009. p. 791-804
  20. Leech-Wilkinson D. Recordings and histories of performance style. In The Cambridge Companion to Recorded Music. Cambridge: Cambridge University Press. 2009. p. 246-262
  21. Cook N (Photographer), Leech-Wilkinson D (Photographer). Techniques for analysing recordings: an introduction Centre for the History and Analysis of Recorded Music. 2009.
  22. Cook N, Clarke E, Leech-Wilkinson D, Rink J. The Cambridge Companion to Recorded Music. Cambridge: Cambridge University Press, 2009.
  23. Leech-Wilkinson D. The Changing Sound of Music: approaches to the study of recorded musical performances. London: Centre for the History and Analysis of Recorded Music, 2009.
  24. 2007
  25. 2006
  26. 2003
  27. LEECH-WILKINSON D. Rose lis revisited. In LEACH EE, editor, Machaut's Music: New Interpretations.. Woodbridge, Suffolk: Boydell & Brewer Ltd. 2003. p. 249 - 262. ((Studies in Medieval and Renaissance Music, 1).).
  28. 2002
  29. 2001
  30. Leech-Wilkinson D. Using recordings to study musical performance. In Linehan A, editor, Aural History: Essays on Recorded Sound. The British Library. 2001. p. 1 - 12
  31. Leech-Wilkinson D. Wie überträgt man die Musik des Mittelalters? In Gratzer W, Möller H, editors, Übersetzte Zeit: Das Mittelalter und die Musik der Gegenwart. Hofheim: Wolke Verlagsges. 2001. p. 325 - 339
  32. 2000

Export:RIS BibTex Word PDF - will at most contain 500 items

Refine results Clear filters

Language

Language

Publication year

Full text

Full text

Meeting and poster abstracts

© 2018 King's College London | Strand | London WC2R 2LS | England | United Kingdom | Tel +44 (0)20 7836 5454