King's College London

Research portal

Research Outputs

  1. 2017
  2. Leech-Wilkinson D (Other), Geyer L (Other), Marchment E (Other). Dido & Belinda 2017.
  3. 2013
  4. Leech-Wilkinson D. The emotional power of musical performance. In Cochrane T, Fantini B, Scherer KR, editors, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression and social control . New York: Oxford University Press. 2013. p. 41-54. (Series in Affective Science).
  5. 2012
  6. Kussner M, Prior H, Gold N, Leech-Wilkinson D. Getting the shapes “right” at the expense of creativity? How musicians’ and non-musicians’ visualizations of sound differ. In Proceedings of 12th International Conference on Music Perception and Cognition (ICMPC) / 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). 2012
  7. 2011
  8. Leech-Wilkinson D. Early recorded violin playing: evidence for what? In Bacciagaluppi C, Brotbeck R, Gerhard A, editors, Spielpraxis der Saiteninstrumente in der Romantik: Bericht des Syposiums in Bern, 18.-19. November 2006. Schliengen: Argus. 2011. p. 9-22
  9. Leech-Wilkinson D. Making music with Alfred Cortot: ontology, data, analysis. In Gemessene Interpretation: Computergestützte Aufführungsanalyse im Kreuzverhör der Disziplinen. Mainz: Schott. 2011. p. 129-144. (Klang und Begriff).
  10. 2009
  11. Leech-Wilkinson D. Musicology and performance. In Blazekovic Z, editor, Music’s Intellectual History: Founders, Followers & Fads. New York: Répertoire International de Littérature Musicale. 2009. p. 791-804
  12. Leech-Wilkinson D. Recordings and histories of performance style. In The Cambridge Companion to Recorded Music. Cambridge: Cambridge University Press. 2009. p. 246-262
  13. 2003
  14. LEECH-WILKINSON D. Rose lis revisited. In LEACH EE, editor, Machaut's Music: New Interpretations.. Woodbridge, Suffolk: Boydell & Brewer Ltd. 2003. p. 249 - 262. ((Studies in Medieval and Renaissance Music, 1).).
  15. 2001
  16. Leech-Wilkinson D. Using recordings to study musical performance. In Linehan A, editor, Aural History: Essays on Recorded Sound. The British Library. 2001. p. 1 - 12
  17. Leech-Wilkinson D. Wie überträgt man die Musik des Mittelalters? In Gratzer W, Möller H, editors, Übersetzte Zeit: Das Mittelalter und die Musik der Gegenwart. Hofheim: Wolke Verlagsges. 2001. p. 325 - 339

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