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Research Outputs

  1. 2017
  2. Vom Lehn D. Harold Garfinkel: experimenting with social order. In The Interactionist Imagination. Studying Meaning, Situation and Micro-Social Order. London: Palgrave Macmillan. 2017. p. 233-261
  3. 2016
  4. vom Lehn D. Museum drama and interaction order "sui generis": Works of art as hubs for co-orientation. In The Drama of Social Life: A Dramaturgical Handbook. Taylor and Francis Inc. 2016. p. 211-228 https://doi.org/10.4324/9781315615691
  5. Vom Lehn D, Heath CC. Kunstinteraktion. In Hausendorf H, Mueller M, editors, Handbuch Sprache in der Kunstkommunikation.. Vol. 16. Aldine de Gryter. 2016. p. 361-379
  6. 2015
  7. Jafari A, Taheri B, Vom Lehn D. Cultural consumption, interactive sociality and the museum. In Hewer P, Jafari A, Hamilton K, editors, New Directions in Consumer Research. Vol. IV. London and New York: Sage Publishing. 2015. p. 129
  8. Vom Lehn D, Webb H, Heath C, Gibson W. Sehen professionell Sehen: Die interaktive Konstitution visueller Wahrnehmung durch Optiker und ihre Klienten. In Die Sinnlichkeit des Sozialen. Wahrnehmung und materielle Kultur. Transcript Verlag. 2015. p. 399
  9. Biehl-Missal B, vom Lehn D. Aesthetics and Atmosphere in Museums: A critical marketing perspective. In Henning M, editor, The International Handbooks of Museum Studies: Museum Media. Vol. 3. WILEY-BLACKWELL. 2015. p. 235-258. Part II, 11 https://doi.org/10.1002/9781118829059
  10. 2014
  11. Schofield BK. ‘Die eigene europäische Zeugenschaft bekunden'. In Die Europa Rede: In was für einem Europa wollen wir leben?. Berlin: Konrad Adenauer Stiftung. 2014. p. 20-22
  12. Vom Lehn D. Transkription und ethnomethodologische Videoanalyse. In Moritz C, editor, Transkription von Video- und Filmdaten in der Qualitativen Sozialforschung. Multidisziplinäre Annäherungen an einen komplexen Datentypus: Multidisciplinary approaches to a complex type of data. Wiesbaden: Springer VS. 2014. p. 391-406
  13. Schofield BK. Neue Geschichten, Alte Geschichte. Was Europäische Kulturpolitik aus der Kulturgeschichte lernen kann. In Hertling N, Hassemer V, editors, Europa eine Seele geben. Berlin : Europa Verlag. 2014. p. 178-196
  14. 2013
  15. Schofield B. "Die Willkür der alten Romantik". The Romantic Legacy in Gustav Freytag's Literary Works and Theory. In Saul N, Goettsche D, editors, Realism and Romanticism in German Literature. Aisthesis Verlag. 2013. p. 123-145
  16. Schofield B, Farr J. Germany and the Euro-Crisis: The Bremer Shakespeare Company's Timon aus Athen. In Carson C, Bennett S, editors, Shakespeare Beyond English: A Global Experiment. Cambridge University Press. 2013. p. 287-291
  17. Vom Lehn D. Withdrawing from Exhibits: the interactional organisation of museum visits. In Haddington P, Mondada L, Nevile M, editors, Interaction and Mobility: Language and the Body in Motion. Berlin: Aldine de Gryter. 2013. p. 65-90. (Linguae & litterae). https://doi.org/10.1515/9783110291278.65
  18. Schofield B. ‘Die Historie rückwärts durchmessen’. Geschichtsbilder und Geschichtsauffassungen bei Theodor Fontane und Gustav Freytag. In Howe P, editor, Theodor Fontane. Dichter des Uebergangs: Beitraege zur Fruehjahrstagung der Theodor Fontane Gesellschaft 2010. Wuerzburg: Koenighausen und Neumann. 2013. p. 57-70. (Fontaneana).
  19. 2012
  20. Gibson W, Webb H, Vom Lehn D. Ethnomethodological workplace studies and learning in clinical practice. In Cook V, Daly C, Newman M, editors, Work-based Learning in Clinical Settings: insights from socio-cultural perspectives. Radcliffe. 2012. p. 167-187
  21. Schofield B. Gustav Freytag's Soll und Haben: Politics, Aesthetics, and the Bestseller. In Schofield B, CW, editors, The German Bestseller in the Late Nineteenth Century. Rochester, NY: Camden House. 2012. p. 21-38
  22. Heath C, Vom Lehn D, Cleverly J, Luff P. Revealing Surprise: the local ecology and the transposition of action. In Perakyla A, Sorjonen M-L, editors, Emotion in Interaction. Oxford: Oxford University Press. 2012. p. 212-234. (Oxford Studies in Sociolinguistics).
  23. 2011
  24. Schofield B. Evolution or Revolution? The Literary Exchange of Karl Gutzkow and Gustav Freytag Across the Vor- und Nachmaerz. In Vonhoff G, editor, Karl Gutzkow and His Contemporaries: Karl Gutzkow und seine Zeitgenossen : Beiträge zur internationalen Konferenz des Editionsprojektes Karl Gutzkow vom 7. bis 9. September 2010 in Exeter. Aisthesis Verlag. 2011. p. 169-182. (Vormaerz-Studien).
  25. Vom Lehn D. Interaction. In Ritzer G, editor, The Concise Encyclopedia of Sociology. Blackwell. 2011. p. 324-325
  26. 2010
  27. vom Lehn D. Generating Aesthetic Experiences from Ordinary Activity: new technology and the museum experience. In O'Reilly D, Kerrigan F, editors, Marketing the Arts: A fresh approach. Routledge. 2010. p. 104 - 120
  28. Heath C, vom Lehn D. Interactivity and Collaboration: new forms of participation in museums, galleries and science centres. In Parry R, editor, Museums in a Digital Age. N/A ed. Vol. N/A. Abingdon: Routledge. 2010. p. 266 - 280. (Leicester readers in museum studies).
  29. 2009
  30. Heath C, Luff P, Lehn DV, Yamashita J, Kuzuoka H. Enhancing remote participation in live auctions: an 'intelligent' gavel. In CHI 2009 - Conference on Human Factors in Computing Systems. NEW YORK: ACM Press. 2009. p. 1427 - 1436. (CHI2009: PROCEEDINGS OF THE 27TH ANNUAL CHI CONFERENCE ON HUMAN FACTORS IN COMPUTING SYSTEMS, VOLS 1-4).
  31. Liebscher M, Schofield B, Weiss-Sussex G. Introduction: The Racehorse of Genius. In Schofield B, Liebscher M, Weiss-Sussex G, editors, The Racehorse of Genius: Literary and Cultural Comparisons. N/A ed. Vol. N/A. London: Iudicium; Institute of Germanic Studies, University of London. 2009. p. 7. (London German Studies).
  32. Yamazaki K, Yamazaki A, Okada M, Kuno Y, Kobayashi Y, Hoshi Y et al. Revealing Gauguin: Engaging Visitors in Robot Guide's Explanation in an Art Museum. In CHI 2009- Conference on Human Factors in Computing Systems. Unknown Publisher. 2009. p. 1437 - 1446
  33. 2007
  34. vom Lehn D, Hindmarsh J, Luff P, Heath C. Engaging Constable: Revealing Art with New Technology. In Unknown. NEW YORK: ASSOC COMPUTING MACHINERY. 2007. p. 1485 - 1494. (CONFERENCE ON HUMAN FACTORS IN COMPUTING SYSTEMS, VOL 1 AND 2).
  35. Schmidt SJ, Schofield B. God might have created reality – but we create a world of experience’. In Honour of Ernst von Glasersfeld (Translation). In Glanville R, Riegler A, editors, The Importance of Being Ernst. Festschrift for Ernst von Glasersfeld . Vienna: Echoraum. 2007. p. 37-50
  36. 2006
  37. vom Lehn D, Heath C. Interaction at the exhibit-face: video-based studies in museums and galleries. In Knoblauch H, Schnettler B, editors, Video-Analysis. Methodology and Methods. Unknown Publisher. 2006. p. ? - ?
  38. vom Lehn D, Heath C. Social interaction in museums and galleries: A note on video-based field studies. In Goldman R, Pea R, Barron B, Derry S, editors, #notitle#. Unknown Publisher. 2006
  39. de Rooy P, Schofield B. The Youth Establishment in the Netherlands in the 20th Century (Translation). In Moore B, van Nierop H, editors, Twentieth Century Mass Society in Britain and the Netherlands. Berg. 2006. p. 163
  40. 2003
  41. Allmendinge J. Das Museum als Lern- und Erlebnisraum. In ?. Opladen: VS Verlag (Leske und Buderich). 2003. p. ? - ?
  42. 2002
  43. Heath C, vom Lehn D. Misconstruing Interaction. In Interactive Learning in Museums of Art and Design. London: V & A. 2002
  44. 2001
  45. Vom Lehn D, Heath C, Knoblauch H. Configuring Exhibits: The Interatctional Production of Experience in Museums and Galleries. In Knoblauch H, Kotthoff H, editors, Verbal Art Across Cultures: The Aesthetics and Prot-Aesthetics of Communication. Gunter Narr Verlag: Tuebingen. 2001. p. 281 - 297

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