Abstract
This paper analyses the Department of Digital, Culture, Media & Sport committee’s inquiry into the economics of music streaming. The scrutiny of the committee’s oral and written evidence, and final report is placed within the context of the music industry’s significance to UK cultural policy since the late 1990s. The perspectives of the UK’s musicians and song-writers are a focal point of the analysis of the inquiry’s published documentation, as they are when discussing the committee’s recommendations released in July 2021.
Original language | English |
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Pages (from-to) | 1-15 |
Number of pages | 15 |
Journal | Cultural Trends |
Early online date | 15 Dec 2022 |
DOIs | |
Publication status | E-pub ahead of print - 15 Dec 2022 |
Keywords
- music streaming
- equitable remuneration
- music industry
- DCMS
- digital platforms