Abstract
This paper examines how the conflict over the management of the boreal forest of Quebec has been constructed through the documentary film l'Erreur boreale. It pays particular attention to the kind of discourses and practices used by the filmmakers to present the forest as a threatened entity. The paper shows that despite raising questions over the accessibility of the forest, the film promotes dominant industrial relationships with the forest which undermine other ways of imagining the relationships between forest users and the non-humans making up the forest. The paper suggests that the debate that resulted from the film offered few novel ideas to re-imagine relationships with the forest other than through the epistemic realm of forestry science and ecology.
Original language | English |
---|---|
Pages (from-to) | 204 - 210 |
Number of pages | 7 |
Journal | SCOTTISH GEOGRAPHICAL JOURNAL |
Volume | 124 |
Issue number | 2-3 |
DOIs | |
Publication status | Published - Jun 2008 |