Abstract
Experimental filmmakers have every reason to want to control how and where their films are screened. Our understanding of them as art and cinema depends on it. Film analysis, on the other hand, demands and has come to depend on filmmakers' willingness to hand over some of that control. To some extent, of course, the choice has already been made for them.
| Original language | English |
|---|---|
| Pages (from-to) | 66-72 |
| Number of pages | 7 |
| Journal | Millennium Film Journal |
| Volume | 58 |
| Issue number | 1 |
| Publication status | Published - 2013 |