TY - CHAP
T1 - The Polifonia Ontology Network: Building a Semantic Backbone for Musical Heritage
AU - de Berardinis, Jacopo
AU - Carriero, Valentina Anita
AU - Jain, Nitisha
AU - Lazzari, Nicolas
AU - Merono Penuela, Albert
AU - Poltronieri, Andrea
AU - Presutti, Valentina
N1 - Funding Information:
This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 101004746. The authors also acknowledge everyone who contributed to the development of the Polifonia Ontology Network.
Publisher Copyright:
© The Author(s) 2023.
PY - 2023/10/23
Y1 - 2023/10/23
N2 - In the music domain, several ontologies have been proposed to annotate musical data, in both symbolic and audio form, and generate semantically rich Music Knowledge Graphs. However, current models lack interoperability and are insufficient for representing music history and the cultural heritage context in which it was generated; risking the propagation of recency and cultural biases to downstream applications. In this article, we propose the Polifonia Ontology Network (PON) for music cultural heritage, centred around four modules: Music Meta (metadata), Representation (content), Source (provenance) and Instrument (cultural objects). We design PON with a strong accent on cultural stakeholder requirements and competency questions (CQs), contributing an NLP-based toolkit to support knowledge engineers in generating, validating, and analysing them; and a novel, high-quality CQ dataset produced as a result. We show current and future use of these resources by internal project pilots, early adopters in the music industry, and opportunities for the Semantic Web and Music Information Retrieval communities.
AB - In the music domain, several ontologies have been proposed to annotate musical data, in both symbolic and audio form, and generate semantically rich Music Knowledge Graphs. However, current models lack interoperability and are insufficient for representing music history and the cultural heritage context in which it was generated; risking the propagation of recency and cultural biases to downstream applications. In this article, we propose the Polifonia Ontology Network (PON) for music cultural heritage, centred around four modules: Music Meta (metadata), Representation (content), Source (provenance) and Instrument (cultural objects). We design PON with a strong accent on cultural stakeholder requirements and competency questions (CQs), contributing an NLP-based toolkit to support knowledge engineers in generating, validating, and analysing them; and a novel, high-quality CQ dataset produced as a result. We show current and future use of these resources by internal project pilots, early adopters in the music industry, and opportunities for the Semantic Web and Music Information Retrieval communities.
KW - Knowledge Engineering
KW - Cultural Heritage
KW - Ontology
UR - http://www.scopus.com/inward/record.url?scp=85177463377&partnerID=8YFLogxK
U2 - 10.1007/978-3-031-47243-5_17
DO - 10.1007/978-3-031-47243-5_17
M3 - Conference paper
SN - 978-3-031-47242-8
VL - 14266
T3 - Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)
SP - 302
EP - 322
BT - The Semantic Web – ISWC 2023 - 22nd International Semantic Web Conference, Proceedings
A2 - Payne, Terry R.
A2 - Presutti, Valentina
A2 - Qi, Guilin
A2 - Poveda-Villalón, María
A2 - Stoilos, Giorgos
A2 - Hollink, Laura
A2 - Kaoudi, Zoi
A2 - Cheng, Gong
A2 - Li, Juanzi
PB - Springer, Cham
ER -