Abstract
Focusing on the interwar writings of film journalist and theorist Béla Balázs, this essay argues for an understanding of Balázs’s film aesthetics as grounded in a popular politics of the body. Balázs understood film as a medium in which experiences of image, sound, expressive movement and gesture shape human subjectivities within a newly mediatized social realm. The essay explores Balázs’s consequent plea for a film politics of popular embodiment, and asks what a survey of Balázs’s writings as both critic and theorist tell us about the political valences of his film theory now.
Original language | English |
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Pages (from-to) | 7-20 |
Number of pages | 14 |
Journal | NEW GERMAN CRITIQUE |
Volume | 141 |
DOIs |
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Publication status | Published - Nov 2020 |
Keywords
- Balázs
- film theory
- body
- Marxism
- close-up
- mass