The social body of Béla Balázs

Erica Carter*

*Corresponding author for this work

Research output: Contribution to journalComment/debatepeer-review

1 Citation (Scopus)

Abstract

Focusing on the interwar writings of film journalist and theorist Béla Balázs, this essay argues for an understanding of Balázs’s film aesthetics as grounded in a popular politics of the body. Balázs understood film as a medium in which experiences of image, sound, expressive movement and gesture shape human subjectivities within a newly mediatized social realm. The essay explores Balázs’s consequent plea for a film politics of popular embodiment, and asks what a survey of Balázs’s writings as both critic and theorist tell us about the political valences of his film theory now.
Original languageEnglish
Pages (from-to)7-20
Number of pages14
JournalNEW GERMAN CRITIQUE
Volume141
DOIs
Publication statusPublished - Nov 2020

Keywords

  • Balázs
  • film theory
  • body
  • Marxism
  • close-up
  • mass

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