Abstract
Karma Lochrie’s book, like most studies of medieval sexuality, is primarily concerned with textual sources. Can the visual arts contribute to this work of categorisation? This brief overview will suggest that such a focus tends if anything to find more uncertainties of various kinds; to indicate that “Female sexuality [in the visual arts] … wasn’t.” The encounters of women, the visual arts and eros, that is, are so heterogenous and their boundaries so unclear as to make the category elusive.
Original language | English |
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Journal | Different Visions |
Volume | 5 |
Publication status | Published - 2014 |
Keywords
- sexuality
- reception of art