How can Proust’s _A la recherche du temps perdu_ prompt us to re-imagine cinema? Although no-one goes to the cinema in the novel, and its narrator is critical of a ‘merely’ cinematographic account of reality, the proposition of _Thinking Cinema with Proust_ is that the Recherche can provide a powerful catalyst for re-thinking the cinema. Drawing on a complex terrain of intersections and overlaps between the experience of the spectator and that of Proust’s narrator and reader, this is focused around a series of motifs – the camera obscura, reverie, the magic lantern, gesture, ‘screen’ memory – which enable a fluid movement back and forth between Proust and film theory.
Original language | English |
---|
Place of Publication | Cambridge |
---|
Publisher | Legenda |
---|
Number of pages | 207 |
---|
ISBN (Electronic) | 9781781886373, 9781781886380 |
---|
ISBN (Print) | 9781781886359, 9781781886366 |
---|
Publication status | Published - 22 Aug 2018 |
---|
Name | Moving Image |
---|
Publisher | Modern Humanities Research Association |
---|
No. | 7 |
---|