Abstract
While the recent blockbuster Krrish (2006) was initially promoted as “India’s First Super Hero,” the film is actually part of a long history of attempts to engage with the superhero genre in Indian cinema. Utilising Yuri Lotman’s model of cultural exchange, this chapter traces five distinct stages in this history from the early use of imported characters in titles such as Return of Mr. Superman (1960) through to the transnational influence of contemporary Indian superheroes such as Krrish and Ra.One (2011). Moving beyond simplistic formulations that see Indian superheroes as purely imitative of Western models, this chapter instead positions the Indian superhero as part of a transnational dialogue that has a number of implications for our understanding of globalization more broadly.
Original language | English |
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Title of host publication | Superheroes on World Screens |
Editors | Rayna Denison, Rachel Mizsei-Ward |
Publisher | University Press of Mississippi |
Pages | 113-131 |
Number of pages | 19 |
ISBN (Print) | 9781628462340 |
DOIs | |
Publication status | Published - 2015 |