We the Divided: Partitions of Performance in the Ceramic State

Arts and Humanities

• Performance 100%
• Essays 66%
• Theatre 66%
• Spectator 66%
• Materials 33%
• Relationships 33%
• Action 33%
• Labour 33%
• Conception 33%
• 1990s 33%
• Case Study 33%
• 1980s 33%
• Division 33%
• History 33%
• Scepticism 33%
• Exclusion 33%
• surrender 33%
• Jacques Rancière 33%
• Athens 33%
• Liverpool 33%
• Political Commitment 33%
• Biennials 33%
• Theatre Work-shop 33%
• Attic 33%
• Transhumance 33%
• Tate Liverpool 33%
• Krater 33%
• Immersion 33%