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  1. Choi, J. (2016). "Seoul, Busan and Somewhere Near: Korean Gangster Cinema and Urban Space". In J. Andersson, & L. X. Webb (Eds.), Global Cinematic Cities: New Landscapes of Film and Media (pp. 218-234). Wallflower Press.
  2. Brady, M., & Hughes, H. (2016). "The essential is sufficient": The Kafka Adaptations of Straub-Huillet and Michael Haneke. In S. Biderman, & I. L. (Eds.), Mediamorphosis: Kafka and the Moving Image (pp. 181-197). Wallflower Press.
  3. Holliday, C. (2015). Mothering the Bond/M relation in Skyfall (2012) and the Bond Girl Intervention. In L. Funnell (Ed.), For His Eyes Only: The Women of James Bond (pp. 265-273). Wallflower Press.
  4. Wheatley, C. A. (2011). Domestic Invasion: Michael Haneke and Home Audiences. In B. McCann, & D. Sorfa (Eds.), The Cinema of Michael Haneke: Europe Utopia (pp. 10-23). Wallflower Press.
  5. Moyes, C. (2006). On est au coton/Cotton mill, treadmill. In J. White (Ed.), The Cinema of Canada (pp. 90 - 98). Wallflower Press.
  6. de Ros, X. (2005). Victor Erice's 'El espiritu de la colmena'. In A. Mira (Ed.), The Cinema of Spain and Portugal (pp. 138 - 147). (Critical Guides to National and Regional Cinemas). Wallflower Press.

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