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  1. Choi, J 2016, "Seoul, Busan and Somewhere Near: Korean Gangster Cinema and Urban Space". in J Andersson & LX Webb (eds), Global Cinematic Cities: New Landscapes of Film and Media. Wallflower Press, pp. 218-234.
  2. Brady, M & Hughes, H 2016, "The essential is sufficient": The Kafka Adaptations of Straub-Huillet and Michael Haneke. in S Biderman & IL (eds), Mediamorphosis: Kafka and the Moving Image. Wallflower Press, London, New York, pp. 181-197.
  3. Holliday, C 2015, Mothering the Bond/M relation in Skyfall (2012) and the Bond Girl Intervention. in L Funnell (ed.), For His Eyes Only: The Women of James Bond. Wallflower Press, pp. 265-273.
  4. Wheatley, CA 2011, Domestic Invasion: Michael Haneke and Home Audiences. in B McCann & D Sorfa (eds), The Cinema of Michael Haneke: Europe Utopia. Wallflower Press, pp. 10-23.
  5. Moyes, C 2006, On est au coton/Cotton mill, treadmill. in J White (ed.), The Cinema of Canada. Wallflower Press, London, pp. 90 - 98.
  6. de Ros, X 2005, Victor Erice's 'El espiritu de la colmena'. in A Mira (ed.), The Cinema of Spain and Portugal. Critical Guides to National and Regional Cinemas, Wallflower Press, London, pp. 138 - 147.

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